Drawn Stories

The most dangerous thing you can give me is a pencil

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Monsieur COK from Franck Dion on Vimeo.

Mister Cok is the owner of a large bomb factory. Looking for efficiency and profit, he decides to replace his workers by sophisticated robots. The formers stare helplessly at the toil of the robotic labourers. But one of the workers does not accept being discarded so easily…

monsieurcok.com/

Awards

Audience award in Atlanta philosophy film festival 2009
Grand prize ex aequo in Hyde tube festival 2009
Best 2d animation film in Hyde tube festival 2009
Best film between 4 and 20 mn in Cortoons 2009
Best animation film in the No Words 2008 festival in Bolzano

Second Price in Animacor 2008
Audience award, Fantastic section, in the Nuits Magiques of Bègles 2008
Best soundtrack in Lille 2008
Special Mention of the Jury in Avanca 2008
Special Mention in Leeds 2008
Special Mention in Venise Circuito off 2008

a PAPY3D production coproduced by the CRRAV NORD-PAS DE CALAIS and LE FRESNOY with support from the CENTRE NATIONAL DE LA CINÉMATOGRAPHIE-CONTRIBUTION FINANCIÈRE, in partnership with CANAL + and GTC, and with the help of THE PROJECT COMPETITION OF THE ANNECY FESTIVAL

0 notes

Ruby from Emma Allen on Vimeo.

An animated self-portrait exploring the idea of rebirth and illustrating the transfer of energy from one incarnation to another. I painted this stop frame animation on myself over 5 days, using some face paints, a mirror and a camera.
emmaallen.org
twitter.com/imakefings
facebook.com/paintfaces

Story & Performance - Emma Allen
Photography & Makeup - Emma Allen
Post Production - Alex Try, Phil Varnier
Sound - Alex Try

Thanks for all the support on this so far! Unfortunately someone has ripped it to YouTube. To counteract that, I’ve uploaded my own version. So if you want to share it on YouTube, please use my version: youtu.be/07Ch4A9PnZI

Copyright Emma Allen

15,371 notes

Anonymous asked: $100 is a lot of money for a single page.

jamaligle:

postcardsfromspace:

mooncalfe:

himteckerjam:

katyfarina:

fauxboy:

how much is a loaf of bread? hm? $3? $5? 

At my local grocery store, bread is about $4.50 for a decent size italian loaf. If I make $7.25 and hour, that means I’d have to work 37 and a half minutes for a Loaf of bread.

but hey, that’s not so bad right? Work two hours and you’ll have a sandwich, eh?

Oh hey, turns out I also need toilet paper, rice, chicken, some veggies, a can of soup, and some cereal. (to name a few basic groceries one might need on a budget) we’ll round those things down to $25 just to make the math easier.

at $7.25 an hour I’ll have to work about 3 and a half hours for basic groceries.

That doesn’t include bills or gas or all the other groceries I need, That’s ONE quick trip to the store and I already have to work half a day just for that.

You don’t understand Anon, my pages could take HOURS if not DAYS. Between the sketching, inking, colouring, lettering, and finishing it’s taken at least a full two day’s work if not longer for each page.

I have a job that pays me beans, I cannot afford to post more pages a week without compensation. I literally cannot afford to do that. Not to mention the idea that art is only worth minimum wage cheapens the amount of work and effort that goes into producing it. I should be making WELL ABOVE minimum wage for my art via page count and commissions but it’s this damn “deviant art” mindset that makes people feel like they’re being swindled for paying a livable wage to artists. It’s rude and childish and I ask that you please stop considering artists as less worthy of affording a normal life.

You can either pay me what I ask for what you want or stop complaining about what I already give you for free.

image

I cannot fucking stand people who tell illustrators that something they produce is too expensive.

Yall motherfuckers want cheap? Go get some paper, get a fucking pencil and then draw it your motherfucking selves because nobody freelancing on the internet who hasn’t even half made it in the illustration world is charging you ANYTHING close to industry pricing even when some of us are as good if not better. Why? Because of people like Anon. Your name must be out there and known to charge anything close to what your time and skill is worth. Yet still? You are paying for my effort, my time, my blood, sweat and tears and a lifetime of learning my trade.

A cheap page for yo ass is a piece of paper I haven’t touched yet.

/rant

(As a freelancer I cannot staaaaaaaaaaaaaand people who pull this dogshit.)

$100 is pretty cheap for a page.

Basic math, for Anon up there: Break that $100 down into an hourly rate. Factor in materials. Factor in skill and schooling and experience. Bear in mind that a page rate *at all* means there’s a good chance it’s work-for-hire, which means that $100 a page might be all the artist gets, ever.

And then, when you’ve done that math, think about what that means in terms of how few comics artists make a living hourly wage.

Want a pro artist, anon? Pay them like a fucking pro.

I’d like to add the a professional of any stripe has the duty to themselves, and the right to charge a rate based on his skill level and the work he or she puts in.

Don’t ever dare think art is something we do for “fun”. It’s a skill we have that you want, and for it, you give us the coin. It’s not a dick move, it’s called a livelihood. 

5,584 notes

team-reverie:

Please don’t ever ever ever befriend artists so they’ll draw for you.

Please don’t ever guilt trip artists because they’re not drawing for you.

This does not make the artist want to draw for you, but makes them extremely uncomfortable and has the opposite effect.

Artists are not your tools, and friendship is not defined by how many favors someone will do for you.

If you’re that desperate for them to draw for you, commission them instead.

Ugh, if I had a dime for every time I got this load of nonsense, I’d make Rupert Murdock blush.

(via knogs)

Filed under no no no art =/= free not a vending machine

80,847 notes

gingerhaze:

Oh, I know I have it better than a lot of would-be comics buyers, and that’s what worries me. I’ve had it with the self-appointed gatekeepers in comics. 

THIS. JUST, UGH. I’m so glad my local comic shop is run by someone who welcomes all comic lovers of all paths. This just pisses me off to no end.

Filed under ugh sexism gender wtf comic nerd